"Honeycrisp" -- oil on canvas 18x24" -- Margie Guyot
My favorite apple variety, the Honeycrisp! With the wind howling and snow blowing, it seemed to be the perfect way to spend a few days, holing up in my studio, painting apples. That's a resale shop glass bowl. I'd used it in a a painting right before this. It's fun to paint -- I like the way it distorts.
Honeycrisp apples may not be the prettiest apples out there, but they're the tastiest. They always sell out before any of the other varieties.
Most of the time it's overcast in winter up this way (northern Michigan). But one day the sun peeked out for about 5 minutes, and I saw small bits of sunlight hitting the table, filtering through the row of geraniums on the windowsill. I thought the little spots of sunlight added a bit of charm.
About 99% of this painting was done with just one brush: a #6 Silverbrush flat. It's a great brush. Holds its knife-edge, allowing me to make long, thin strokes. I'm not very fond of cleaning brushes, so that's probably why I will paint all day long with one brush. OK, I did have to use one more, a Windsor-Newton Series 7 Kolinsky sable, only to sign my name.
Some artists are very careful about cleaning brushes. One friend gently wipes them with walnut oil, never turpentine, certainly never soap or detergent. I guess I'm horribly brutal: I douse them with Dawn dish soap and scrub them mercilessly until they come clean. And sometimes I add a drop of soap to the bristles and re-shape them, allowing them to dry that way. I don't know who's right about this, but I guess the brush manufacturers like to sell me more brushes!